DAVID LEVINTHAL

____________. Antes de Ayer y Pasado Mañana. Text by David Barro. Arte Contemporarneo y Energia AIE – MACUF Artedardo, S.L. – Dardo ds, 2009.
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Levinthal, David. American Beauties. Essay by Rosetta Brooks. Santa Monica, CA: Pence Gallery and New York: Laurence Miller Gallery, 1990.
____________. Barbie Millicent Roberts: An Original. Preface by Valerie Steele. New York: Pantheon, 1998.
____________. Blackface. Essay by Manthia Diawara. Santa Fe, NM: Arena Editions, 1999.
____________. Dark Light: David Levinthal Photographs 1984-1994. Essay by David Allen Mellor. London: The Photographers' Gallery, 1994.
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____________. Desire. Essay by Andy Grundberg. San Francisco: The Friends of Photography Ansel Adams Center, CA, 1993.
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____________. Mein Kampf. Essay by James E. Young, Introduction by Roger Rosenblatt, Afterword by Garry Trudeau. Santa Fe, NM: Twin Palms Publishers, 1996.
____________. Modern Romance: David Levinthal. San Diego, CA: Aaron Press in association with Founders Gallery, University of San Diego, 1985.
____________. Modern Romance. Essay by Eugenia Parry. Los Angeles, CA: St. Ann’s Press, 2000.
____________. SMALL WONDER: Worlds in a box. Essay by David Corey. National Museum of American Art/ D.A.P., 1997.
____________. The Wild West: Photographs by David Levinthal. Constance Sullivan, ed. Essay by Richard B. Woodward. Washington, D.C.: Smithsonian Institution Press, 1993.
____________. XXX Series. Interview by Cecilia Andersson. Paris: Galerie Xippas, 2000.
Levinthal, David and Garry Trudeau. Hitler Moves East: A Graphic Chronicle 1941-43. New York: Sheed, Andrews & McMeel, 1977.
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____________. "Photography at the Dock" in The Art of Memory /The Loss of History. New York: The New Museum of Contemporary Art, 1985.
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